.^•^-
J.
0*--
PrintinfT House ^/Wili-iam Edwin Rudge New To i k City
Priscillci Guthries j>oo1iL 3hOp. Union j?rust 31dg. , Pittsburgh, Pennsylvania.
Dear sirs:
V/e have just issued a special edition- of the catalogue on the JOffil <;UI1T1T Collection of llodern paintings, v/ater Colors, Jrav/ings and Sculpture.
The catalogue contains about tv/o hundred repro- ductions from the Exhibits held at the Art Center and Brummer Galleries in New York City and includes the work of Cezanne, Daumier, Llanet, Picasso, Toulouse- Lautree, Conder, Craig, Blake, John Shannon, Davies, Kuhn, Lulcs , Brancusi , and others.
Only 100 copies of this special edition were printed on all rag paper by our recently perfected Smithsonian process.
The volume in size is a small quarto, bound in decorated boards, gilt top. price ^jIO.OO net, per copy.
V/e shall be pleased to send a copy of this book for your inspection.
Tery truly yours.
\,.ncc. RLdUC
WILLlil^ 2:jJ//IIT HUDGiS, IITC.
April 19th, 1926. J?A7/HJ
FOURTEEN WEST FORTIETH STREET TELEPHONE 7126 LONGACRE
K
ERRATA
Page 13. Under Picasso
"Les Baigneuses," "Figure
— Cubistic Study" and "Still Life" should be under
Oil Paintings.
Page 18. Under Augustus John Third title should read "The Mumpers"
Page 25. Max Webber
should read Max Weber. First title under Weber should read "Women on Rocks"
Digitized by the Internet Archive
in 2012 with funding from
IVIetropolitan New York Library Council - METRO
http://archive.org/details/johnq200quin
THE JOHN qUINN COLLECTION OF PAINTINGS WATER COLORS, DRAWINGS & SCULPTURE
Hy yi '**•• V<^*H,
^S y /•
DRAWING OF JOHN Q.UINN BY AUGUSTUS JOHN
John Quinn
1870— 1925
Qolle£lion of Paintings y Water Colors 'Drawings &' Sculpture
PUBLISHED BY
PIDGEON HILL PRESS
HUNTINGTON, N. Y.
DlsrRlEUrOKS: JOSEPH L. BRUMMER E. WEYHE
27 EAST 57TH STREET, NEW YORK 794 LEXINGTON AVENUE, NEW YORK
COPYRIGHTED 1 926
BY PIDGEON HILL PRESS
HUNTINGTON, N. Y.
EDITOR'S NOTE
HE time permitted to prepare a catalogue has so limited the possibilities of accumulating complete data that it seems i?i- advisable to attempt a?iythifig more than an accurate list of Mr. ^uin?ls CO I lectio?! ofpai?iti?igs^ water colors^ drawings and sculp- tures (exclusive of Negro and Chinese A with the title, canvas meas- urements, and date where it has been recorded. For convenieftce, we have used those titles which seem to have attached themselves to the pictures, disregarding French or English trans latio?i. The pictures are catalogued under three headings, the sculpture under one and the painters classified according to affiliation rather than nationality.
CONTENTS
PAGES
French 7-15
English and Irish 16-22
American '^3-'^5
Miscellaneous 26
Sculpture 27-28
F07{EIV01ip
THE memorial exhibition of a portion of the collection of paintings and sculpture belonging to the late John Quinn which was held at The Art Center (New York, January, 1926), marked the closing of one of the most vivid and exciting epochs in the history of art in America. Mr. Quinn's collection contained a remarkable choice of the works of the domi- nating personalities who have most powerfully affected the direction of occi- dental art, including that of America, during the first quarter of the Twentieth Century. The artists working during this period include Picasso. It is perhaps not too much to say that no student of contemporary art could begin to estimate justly the work of the perspicacious and energetic Parisian Spaniard without seeing Mr. Quinn's amazing group of Picassos.
Derain, Braque, Matisse, Dunoyer de Segonzac and Rouault are but a few of the other contemporary Europeans who flowered in the period of Mr. Quinn's collecting and with whose work the most advanced American collector of his day had a personal sympathy. By Matisse he owned, among other paintings, a large still life that is one of the great modern abstract decorations. But Mr. Quinn did not confine himself to one country. Although France has dominated the modern movement he turned his attention both to England and America. Gwen John, Augustus John, Arthur B. Davies, Walt Kuhn, Maurice Prender- gast, Ernest Lawson and many other English and American painters contributed their share to the scope of the Quinn collection.
Nor did Mr. Quinn neglect the modern sculptor. No one who responds to the invention, the wizardlike sense of balance, the amazing craft of Constantin Brancusi can know his work well without seeing the examples in marble, bronze and wood which John Quinn acquired. And among American collectors, only Mr. Quinn had the foresight at that time to collect the work of the gifted Manolo and to recognize the talent of Duchamp-Villon.
The foregoing hints at the extent and variety of this remarkable collection. The great figures from the immediate past, Cezanne, Van Gogh and Seurat, are here. I believe that John Quinn's Seurats formed the finest group of paint- ings by this unique master of classic design ever gathered by a single collector. In lighter mood is the series of drawings by the inimitable Constantin Guys. And those idols of modern artists. El Greco and Ingres, contribute each a single characteristic painting forming a kind of cornerstone to John Quinn's collection. Even to suggest thus generally the structure of the great collection is to realize why so many of the artists of his day considered Quinn the most intrepid
American collector. His collection far outstripped the wall space at his com- mand, and consequently could not be shown in its entirety. But he lent portions of it to exhibitions from time to time and his fame as a collector grew to inter- national proportions.
Therefore it is not surprising that the announcement of a memorial exhi- bition of a part of his collection aroused the world of art to such a state of expectancy that collectors and museum directors from all parts of the country came to New York to see the Quinn collection. The public poured into the exhibition and the discriminating literally pounced upon such masterpieces as the self-portrait by Van Gogh, the portrait of Mme. Cezanne by Cezanne, and others, while envious collectors gazed longingly at the superb Seurat which Mr. Quinn had bequeathed to the Louvre Museum.
They asked themselves why they, too, had not had the foresight of John Quinn. He had also brought together a remarkable group of books and manu- scripts, as further witness to his powers of discrimination and intellectual vigor. A result of his collecting was that Quinn was either in correspondence with or knew personally many of the foremost painters, writers and sculptors of his day. He was far too intelligent and his interest in art was too human not to have been enriched by such contacts.
I often talked with Mr. Quinn about the artists and with the artists about Mr. Quinn. And the feeling of one for the other was not of a too precious kind. To hear Brancusi describe his first and only game of golf with Quinn is to realize that the eminent collector was too vigorous to be satisfied humanly by the limitations of impersonal aesthetic intercourse. I feel that the human side of his collection and its broad-mindedness were greatly strengthened by the fact that John Quinn did not maintain toward the artists the position of the celebrated patron. They were his friends and he was one of them. And as he himself once said to me, he felt that his friendships with the artists were by no means the smallest part of his collection.
This catalogue will offer the student of art material for study which if not assembled now would be scattered forever. He will find in it reproductions of a large number of the most significant works of art created during this period. It is for this reason and for the purpose of making a permanent record of an aesthetically and historically important collection that this catalogue is made.
Forbes Watson.
FRENCH
BESNARD, ALBERT
Drawing, "Study of Nude," 9 x 14 in.
BLANCHET, ALEXANDER Oil painting, "Les Deux Amies," 45x63 in.
BOUCHER, SCHOOL OF
Sanguine drawing," Venus Rising from the Waves," 8% x 12 in.
BOUCHER, FRANCOIS
Charcoal drawing with white chalk, "Nude Figure," 9 X 17 in.
BRAQUE, GEORGES
Oil painting, "Basket of Fishes,"
24x20 in.
"Still Life," 19x24 in.
"Still Life," I7>4x7in.
"Still Life," 17^x714 in.
Drawing (pencil), "Study of Nude,"
36x25 in.
Sanguine drawing, "Study of Nude,"
12x23 i"-
Water-color, "Still Life," 8^ x 7 in.
BRE, PERCY
Pen and water-color drawing, "Pluto and Proserpine," 21 x 16 in.
CASSATT, MARY
Water-color, "Mere et Enfant," 1 o x 1 3 in. .
CEZANNE, PAUL
Oil painting, "Mme. Cezanne,"
18x22 in.
"Mont-Victoire," 32^/4 X24 in.
"Portrait of Cezanne's Father" ( 1874),
45x66 in.
Water-color, "White Tree Trunks,"
1 1 X 1534 in-
"Rocky Ridge," 12 x 18 in.
"The House on the Hill," 18 x 22 in.
CHABAUD, AUGUSTE
Oil painting, "The Clown," 21 X29 in.
"Still Life," 30x21 in.
"Les Troupeaux apres la Pluie,"
41 x3oin.
"Laboureur pres des Cypres," No. 1,
40^ x29in.
"Laboureur pres des Cypres," No. 2,
40x29^ in.
"Chemineaux sur le Pont," No. 1,
41 x29in.
"Chemineaux sur le Pont," No. 2,
41 x29in.
"Portrait of Young Man," 20 x 39 in.
"The Circus," 37x28 in.
"LeQuai," 23x32 in.
CHARDIN, JEAN SIMEON Sanguine drawing, "Peasant with Basket," 6x9 in.
CROSS, HENRI EDMOND
Water-color, "Nude Figures Lender Pine Trees," 14 x \o}i in.
DAUMIER, HONORE
Oil painting, "The Third Class Wagon,"
9x 123/2 in.
Charcoal drawing, "Grotesque Head,"
33^ X234 in.
I7l
FRENCH
Pen and ink drawing with bistre wash, "The Milk Carrier," 4^x5^ in.
DAVID, JACQUES LOUIS
Bistre wash drawing, "Le General Bona- parte," 7x6^ in. "Madame Chalgrin," 6>^ x5>4 in.
DECAMPS, ALEXANDRE GABRIEL Water-color drawing, "Monkeys Teasing aCat,"6>4x9>4 in.
DEGAS, EDGAR
Crayon, "Landscape," 15^4 x 12 in.
DELACROIX, E.
Water-color, "Lion's Head," 6x7 in. Pen and ink drawing, "Studies of Animals and Birds," 9^ x 13^ in.
DELAUNAY, ROBERT
Oil painting, 1908, "La Tour de Notre
Dame," 24x31 in.
"St. Severin 1908-9," 27 X38 in.
DERAIN, ANDRE
Oil painting, "Woman with fruit,"
35x45 in.
"Self Portrait," 35x45 in.
"Nude, Seated," 46x35 in.
"Window on the Park," 35 x 5 1 in.
"London Bridge," 39x32 in.
"Parliament Houses, London,"
30x32 in.
"View of London," 39 x 32 in.
"Westminster — Blue and Gray,"
36 X 29 in.
"The Garden," 34 x 29 in.
"Landscape," 31 X23 in.
"Still Life," 36x29 in.
"Portrait of Woman," 28>4 X36 in.
"Still Life," 23x36 in.
"Portrait of Woman," 20 x 35 in.
"Still Life," 24 X 1914 in.
"Le Joueur de Cornemuse," 59 x 74 in.
"Head of Woman," 14X 17 in.
"Portrait of Woman," 12x27^ in.
"Une Rue a Cagnes," 2 1 ^ x 1 8 in.
"Bathers," 13X 11 in.
Water-color, "Bathers," 25 x 19 in.
"Five Nude Figures," 22x 17 in.
"The Dance," 25 x 20 in.
"Still Life," 2514 X 20 in.
"The Enchanted Sea," 24^ x 19 in.
"Three Women," 24^ x 19 in.
"Music," 2554 X igy2 in.
"The Enchanted Forest,"
25^ X 19% in.
"The Red Boat," 24^ x 19 in.
"Morning," 24^ x 18^ in.
"Three Figures," 25^ x 19 in.
Pastel, "Bowl with Apples,"
16^ X 18 in.
Wash drawing, "Study of Figure,"
18x24 in.
Wash drawing, "Study of Man's Head,"
18x24 in.
Drawing in red and black, "Head of
Woman," 24 x 18 in.
Drawing in red, "Study," 18 x 24 in.
DUNOYER DE SEGONZAC, ANDRE Oil painting, "The Two Bathers," 5 1 X 63 in,
"Notre Dame," 28x39 in. "TheStable," 36x28^4 in. "The Straw Hat," 29 x 36 in. "Man Reading," 36 x 29 in. "Woman Reclining," 25 x 19 in. Pen and wash drawing, "Jeune Fille Lisant," 13 x 19 in. "Maison dans la Foret," 19 x 24 in.
[8]
FRENCH
"Girl with Parasol, Reclining" with
autograph inscription, i8x 1 13/2 in.
Pen drawing, "Landscape," 15 x 10^ in.
"Nudes Entwined," 17 x loj/^ in.
"Church," 14 X 10 in.
"The Boxers," 16x10 in.
"Trees in Springtime," 14^^ x 103^2 in.
"Five Nude Figures," 24^/^ x 17^^ in.
Pen drawing, "Three Nude Figures,"
20% X 173/2 in.
"Repose," 6x161^ in.
"Two Nudes," 163^ x 1034 in.
"Nude Reclining" — A, 13^ X934 in.
"Nude Reclining" — B, 13x9^ in.
"Isadora Duncan," 93/2 x 16 in.
"Isadora Duncan," 10 x 12^ in.
"Isadora Duncan," 17x103^ in.
"Two Nudes," 163^2 x 10 in.
"Nude," 10 x 13 in.
"Nude Seated," 1 1 x 10^ in.
"Landscape," 103^2 x 143^ in.
"LaLettre," io>^x8>4 in.
"Les Totos," 7 X 93^2 in.
"Somme, November, 1916," 7 x 10 in.
"Route de Peronne," 53^ X9 in.
"Soldier with Sack," 83^ x io>^ in.
"Battery near St. Aubin," 63^ X93/2 in.
"Soldier," 63^x934 in.
"Somme, 1916," 7x10 in.
"Soldier," 7 x 10 in.
"Un Feldweber," 7 x 10 in.
"UnAlpin,"7x8>^ in.
"Landscape, 1913," 9x 12 in.
Wash drawing, "Batter}^" 8x9 in.
DUCHAMP, MARCEL
Oil painting, "Study of a Girl," 29x23 in.
Oil painting, "Study for Nude Descending the Stairs," 27 X23 in. "The Chess Players," 57 X45 in.
Water-color, "La Peau Brune," i8x I9in.
DUFY, RAOUL
Oil painting, "Landscape — St. Paul,"
32x26 in.
"Landscape — Venice," 32x26 in.
"Taomiina," 393^ X32 in.
"The Yellow Hat," 35x48 in.
"Basket of Pears" (1914), 25x32 in.
"Still Life," 25x32 in. »
"Studio," 35x42 in.
"Panorama of Bormes," 32 x 25 in.
"Red Houses," 21 x 18 in.
"Still Life" (1914), 32x26 in.
"La Promenade," 31 X25 in.
"Woman at Window" (1917),
31 x26in.
"The Belfry of St. Vincent," 21 X25 in.
"Composition — Mozart" (1915),
23x283^ in.
Water-color, "Landscape," 173^2 x22 in.
"Trees"
"Park Hill," 20x26 in.
"Marine," 20x22 in.
"Still Life — Fishes, etc.," 20x26 in.
"Race Horses," 20x22 in.
"The Round," 9% x 8^4 in.
"Garden," 12% x2o in.
"The Pasturage," 20x253^4 in.
"The Garden Table," 253^ x 193^ in.
"Garden," 20x2534 in.
"Interior," 20x253^ in.
"The Bathers," 223/2 x3i^ in.
Drawing, "Woman Seated,"
18^x25 in.
Ink drawing, "Head of Woman,"
22 X 173^ in.
Pencil drawing, "Head of Woman,"
26x20 in.
[9]
FRENCH
Wash drawing, "Still Life,"
I9>^x25>^in.
"Study," 24 in.
FERAT, SERGE
Oil painting, "Still Life," 20^ X 17^4 in.
FRESNAYE, ROGER DE LA
Oil painting, "Flowers," 28^^ x22 in.
"Landscape with Chimney,"
23^ x28in.
"Landscape with Tower," 23^ x28 in.
"Chair and Table," 23x31 in.
"Apple," 20x26 in.
"Forms and Colors," 2 1 x 25 in.
"Male Figure," gj^. x 13 in.
Water-color, "Three Figures,"
18x22 in.
"Still Life," 18x14 in.
Drawing, "Still Life," 12^ xQ^ in.
Pen and ink drawing, "Female Figure,"
5^x9 in.
GAUGUIN, PAUL
Oil painting, "Promenade au Bord de la
Mer" (Tahiti), 28x36 in.
"Caribbean Woman and Sunflowers"
(Martinique), 22x27 i^-
Mask in wood, 6yl in. high
Painted ceiling (wood) from Pont-Aven
in Brittany, France
GIREUD, PIERRE
Oil painting, "Hommage a Gauguin"
GLEIZES, ALBERT
Oil painting, "Landscape at Toul," 28x36 in.
"House among Trees," 40x40 in. "Brooklyn Bridge," 40x40 in. "Woman at a Window," 45 X63 in.
[
Tempera painting on wood, "Landscape," 39 x 32 in. Water-color, "The Street," 1 1 xg in. "Retour du Bois," 1 1 x 9 in. "Woman Seated," 1 1 X9 in. "Landscape," \6xi2y2 in. "City Scene," 14X 12 in. "Street Scene," 12^/2 x 16 in.
GRIS, JUAN
Oil painting, "Still Life," 21 x 17^ in.
"Still Life," 36x25 in.
"Still Life," 21 x29>4 in.
"Still Life," 16x13 in.
"Table,"ii>^x7%in.
"Playing Cards," 1214x614 in.
"Still Life," 15x18 in.
"Still Life, with Bird," 8>4 x io>4 in.
"Man at Cafe," 34x50 in.
GUYS, CONSTANTIN
Water-color drawing, "Aux Tuileries,"
6x8>^in.
Water-color, "Interieur," 9^ x 6^ in.
Wash drawing, "Demoiselle a Vendre,"
4.y2 X 7 in.
"En Soiree," 71^ x 10 in.
"Femmes a soldat," 5 x 63/2 in.
"Two Ladies in Costume of 1880,"
7x4^ in.
"Les Bourgeois," 10x8 in.
"Deux Sultanes," 12x9 in.
"La Voiture," 9 x 6 in.
"Le Bel Attelage," 12 x 8 in.
"La Grisette," 6>4 x8 in.
"Portrait of a Woman," 7x11 in.
"Man and Woman," 6>< x8i/^ in.
INGRES
Oil painting, "Raphael et la Fornarina," 103^ X 12^ in.
10]
FRENCH
JACOB, MAX
Gouache, "Place de la Bastille,"
14X 11 in.
"Au Cirque Medrano," 133/2 x 10 in.
LAFITTE, PAUL
Oil painting, "Birds in Forest," 30x25 in.
"Landscape, with Nude," 21 X25 in. "Sketch for Composition," 25 x 2 1 in. "Landscape, with Cattle," 24 x 30 in.
LAURENCIN, MARIE
Oil painting, "Zebre," 36x30 in.
Oil painting, "Princess," 19x32 in.
"Femmes dans la Foret," 39x31^/2 in.
"La Guitariste," 26x39 i".
"Femmes dans un Pare," 23^/2 x 29 in.
"Reverie," 26x39 i"-
"La Femme-Cheval," 18 x 24 in.
Water-color, "Two Figures in a
Hammock," 4x4^ in.
"Heads of Children with Blue Birds,"
73^x9>^ in.
"Portrait," 4x7^4 in.
"Two Women," 4x6^ in.
Drawing "The Blue Handkerchief,"
6x93/2 in.
"Woman with Long Hair," 53^^ x8 in.
"The Little Mule," 4x63^ in.
"Portrait of a Woman," 4 x 53^4 in.
MANET, EDOUARD
Oil painting, "Le Polichinelle" (1874),
1334 x2o34 in.
Colored chalk drawing, "Paola,"
13 X 17 in.
Drawing, "Kneeling Figure of Woman,"
8x9^ in.
MATISSE, HENRI
Oil painting (1917), "Nude Seated," 18x24 in.
"L'Esclave Blanche," 21 X313/I in.
"Landscape" (Etretat), 353/2 X28 in.
"The Spanish Girl," 34x45 in.
"Nude, Reclining," 36x55 in.
"Still Life," 34x45 in.
"Still Life," 18x29 in.
"The Cyclamen," 24X 28 in.
"Nature Morte," 86x70 in. (1913)
"L'Atelier," 24x28 in. (1917)
"Hat with the Roses," 19x48 in.
"La Musique," 23 x 28 in.
"Girl with Flowers," 1 3 x 1 6 in.
Pen drawing, "Studies of Woman,"
lox 13 in.
Pen drawing, "Study of Woman,
Seated," 10 x 13 in.
Drawing, "Head of Woman,"
93^ X 1 15^ in.
Drawing, "Model Reclining,
Back View," 10x13 in.
"Model Reclining, Front View,"
1 o X 1 3 in.
Sculpture, "Bronze Head of Boy,"
5^ in. high.
METZINGER, JEAN
Oil painting, "The Yellow Plume," 30x21 in.
"Head of a Woman," 29x21 in. "Head of Young Girl," 2 1 x 29 in. "La Fumeuse," 25x36 in. "Landscape," 39x32 in. "Femme a la Toilette," 26 x 36 in. "Au Velodrome," 50^4 X38 in. "Landscape," 28 x 36 in. "The Cyclist," 31 X39 in.
PASCIN, HERMIONE L. DAVID Water-color, "Forest Scene with Huts,"
143/j X 18 in.
I]
FRENCH
Tempera, "Landscape with Lake," 19^ X 165^ in.
"Cuban Landscape," 13x9 in. "Spanish Fete," 8>< X954 in. Water-color, "Cuban Landscape," iiy2 X 15^ in.
PASCIN, JULES
Oil painting, "Woman and Flowers,"
13 X 18 in.
"Two English Girls," 22x 18 in.
"Interior," 16x20 in.
"Flowers," 22 x 13 in.
"Interior with Figure," 23^ x 20 in.
"Portrait of Hermine David,"
15x20 in.
"Portrait of John Quinn," 18x20 in.
"Spring in Tampa," 26 x 30 in.
"Lovers," 22 x 26 in.
"Model," 25x31 in.
Drawings :
"Study of Walt Kuhn," 14X 17 in.
"Interiorwith Five Figures," 7 x 5^ in.
"Interior with Three Figures," 7 x 8 in.
"The Visit," 8x6^ in.
Water-colors :
"Interior with Three Figures"
"Interior with Three Figures"
"In the Park," 9 X 6 in.
"Harbor, Havana," 8x7 in.
"Nudes Resting," 10 x 14^ in.
"Shower," 14x8 in.
"Nude," 13MX 10 in.
"Nude Study," 15x18 in.
"Two Girls Dressing," 10x8 in.
"Cold Days in Havana," 10x7 in.
"Expectancy," 8 x 6 in.
"Nude Resting," 13x9 in.
"In the Park," 13x7 in.
"Girl on Sofa," 1 o x 1 3 in.
"Study of Girl," 10x13 in.
"Girls Bathing," 1 1 x 7^ in.
"Siesta," 11 x6 in.
"Girls Dressing," 9X 12 in.
"Kermesse," 8 x 8 in.
"Seated Nude," 7^ xiiy^ in.
"In the Park," 8>4 X 5 in.
"Circus,"7>4x8in.
"The Visit," 7x7 in.
"The Siesta," 7x8 in.
PICASSO, PABLO
Oil painting, "The Sad Mother" (Blue
period), 37x43 in.
"Two Nudes" (Red period),
36Mx59>4in.
Woman Dressing Her Hair," 35 x ^o in.
"Arlequin," 54^ x 39 in.
"Fillette au cerceau," 56x30^ in.
"Still Life — Apples and Pears,"
8x 10^ in.
"Still Life — Cubistic Abstraction,"
9/^ x75^ in.
Drawing (Pen and wash),
"L'Arlesienne," 8>4 X251X in.
Oil painting, ^'Landscape" (1881),
25 X 1934 in.
"The Guitarist — Blue Period"
47^x32^ in.
"Three Figures of Women,"
81 X6634 in.
"Mere et Enfant," 64x46 in.
"Maternite," 32x40^^ in.
"La Toilette," 39^2 x^gy^ in.
"Cubistic Abstraction," 32x39]^ in.
"Still Life" (1915), 32x25 in.
"Still Life — Vases, Flowers, etc., on
Table" (1914-1915), 25^ x2i in.
"Bust of Girl," 2 1 x 25 in.
Still Life," 25x31^ in.
Pastel and water-color, "Still Life,"
19^ x25in.
[,zl
FRENCH
Oil painting, "Portrait of William
Uhde," 32 X 2354 in.
"Portrait" (abstract), 253/2x21 in.
"Fontaine a Fontainebleau,"
36^x251/ in.
"Reclining Nude," 35->4 x 25% in.
"Still Life" (abstract) (1918),
17^ X 103^ in.
"Woman at a Table," 28 x 19 in.
"Portrait of Girl," on reverse canvas,
28x ig'm.
"Arlequin," 24x32 in.
"Deux Femmes Nues" ( 1920),
763^x75 in.
"Still Life," 834 XI o>4 in.
"Still Life," 8% XI 134 in.
Water-color (1919), "Le Repos des
Moissonneurs," 23^ x 19 in.
"Les Baigneuses," 39x69 in.
"Figure — Cubistic Study," 30^ X39 in.
"Still Life," 26x20% in.
Water-color (1921), "The Small
Giants," 4x6 in.
"Fancy Dress Ball," 8 x 9 in.
Ten water-colors (violin fragments),
8x 1 1 in.
PISSARRO, CAMILLE
Oil painting (1898), "Apple Trees in Blossom Eragny," 29 x 24 in. "Havre Harbor" (1903), 25x21 in.
PUVIS DE CHAVANNES, PIERRE
Oil painting, "Beheading of St. John the
Baptist" (1869), 49x65^ in.
"La Riviere," 51 X99 in.
"Le Vendage," 51 X99 in.
Oil painting, "Femme Nue," (1868),
93^ X 16 in.
[13]
"Portrait of Mr. Deforge" (1865),
loy2 X 15 in.
Pastel, "L'Ete" ( 1891 )— Etude pour la
Decoration de I'Hotel de Ville de Paris,
42 X 33 in.
Portfolio containing 26 drawings.
Charcoal drawing, "L'Esperance,"
signed in lower right hand corner :
"A Leon Bouillon, U. Puvis d Ch.,"
8x9^ in.
Drawing, "Etude pour le plafond de
I'Hotel de Ville de Paris" ( 1889),
7x12 in.
"Dessin pour La Guerre" ( 1861 ),
73/2 X 12 in.
"Etude de Femme pour La Famille du
Pecheur" (1875), 9 x 1034 i^i.
"Torse de Femme," 93^ x 12 in.
"Etude pour Ave Picardia Nutrix"
(1865), 8^x12^ in.
"La Muse des Bois" ( 1884), 1 1 x 17 in.
"TetedeJeuneFille" (1872),
93/^x 12 in.
Sanguine drawing, "Le Pecheur,"
4>4 X 7 in.
Drawing, "Etude pour le Grand
Amphitheatre de la Sorbonne" ( 1888),
12x9 in.
"L'Hommage a Victor Hugo" (1889),
9x 11% in.
"Enfant Portant des Fleurs (1884),
Etude pour le Bois Sacre,"8% x 1 1 % in.
"L'Homme Assis," 9x11 in.
"Etude pour Ludus pro Patria" ( 1882),
9 X 12 in.
Wash drawing, "La Famille du
Pecheur" (1875), 7>^x934 in.
"Carmen," 7^ x 12 in.
Sanguine, "Etude de Mains de Poitiers"
7%x9in.
FRENCH
Water-color, "Deux Femmes Causant" 4 in. oval (1865)
REDON, ODILON
Oil painting, "Etruscan Vase,"
23 X 31 >^ in.
"Vase of Flowers" (gray background),
21 X28y2 in.
"Vase of Flowers" (pink background),
21 x28>4 in.
"Apollo," 21 x28>^ in.
"The White Bouquet," 25 x 19 in.
"LTnitiation a I'Etude," 28^x35 1/2 in.
"Pandora," 24x56 in.
Pastel, "Orpheus," 22x27 in.
"Illumined Flower," 20x23^ in.
"The Death of Buddha," 15 x 18 in.
"The Radiant Flower," 24 x 18^ in.
Oil and pastel painting, "Design for
Stained Glass Window," 25^ x 19^ in.
RIVERA, DIEGO M.
Oil painting, "La Cruche," 64x78 in. "Portrait of a Nobleman," 54X 77 in. Oil painting, "La Femme Assise," 39^x23^4 in. "Houses," 36x36 in. "Still Life," 27>4x 15 in. "Still Life," 24x20 in. "Still Life," 13x8^ in.
ROUAULT, GEORGES
Water-color and pastel, "The Circus
Girl," 22x28 in.
"Two Nudes," 22 x 28 in.
"Nude," 20x28 in.
"Clown's Head"; with a second
"Clown's Head," on reverse side,
22x28 in.
"Poor Creatures," 1 7 x 1 o in.
"Peasant Woman," 22 x 20 in.
[
"Nudes," 33 X 24 in.
"Superman," 29x41 in.
"The Palace of Ubu Roi," 29x41 in.
"Bust of Woman," 21^ x22^ in.
"La Petite Famille," 17x27 in.
Water-color, "Woman with a Hat,"
14x21 in.
Ceramic plaque, "Head of Pierrot,"
24 in. square frame
"Head of Christ," 15^^ in. diameter
"Clowns' Heads," 14 in. diameter
Triple tile, "Landscape," 14x4 in.
Plaque, "Nude," 24^ x io>^ in.
Plaque of six tiles, "Group of Nudes,"
22 X 15 in.
Ceramic plaque, "Landscape,"
13^^x9 in.
Ceramic plaque, "Two Bathers,"
I3>^x9in.
"Two Bathers"
"Landscape"
15 water-color drawings in portfolio,
"Ubu"
15 water-color drawings in portfolio,
"Bochie"
Pottery vase, 14 in. high
ROUSSEAU, HENRI
Oil painting, "Portrait of Rousseau's
Doctor," 20x30 in.
"L'Enfant a la Poupee de Carton,"
20x26 in.
"Le Dirigible," 28x23 in.
"Jungle Scene," 74x68 in. ( 1908)
"La Bohemienne Endormie" (1897)
79x51 in.
"La Petite Carmiagnole," 30 x 7^ in.
"Sentier de Villemoble, Raincy,"
9^x13 in.
14]
FRENCH
SEURAT, GEORGES PIERRE Oil painting, "Le Cirque," 57x72 in. (Bequeathed to the Musee du Louvre) "Landscape," 33x27 in. "Les Poseuses," ig^ x 153^ in. "La Poudreuse," 31 X37 in. "Le Crotoy Amont," 33^^ x 27^^ in. "Street Figures," 1 1 x 13^ in. Cra)'on drawing, "Rain," 1 1-)4 x8^ in. "JeuneFilleal'Ombrelle," I2xi8>4 in. "The Steamboat," 12x9^ in. "Jeune Fille," ii>4x8>4 in. "La Nounou," 12x9 in.
SEVERINI, GINO
Oil painting, "Danseuse" (no. 4),
31x39 in.
"Danseuse" (no. 5), 28x36 in.
"Train Blinde en Action," 34x46 in.
"Train de la Croix Rouge" (1915),
46x35 in.
"Still Life," 18x21 in.
Crayon drawing, "Paris Subway, Ferris
Wheel, Eiffel Tower"
"Portrait of Madame Fort," 19x25 in.
Drawing, "Guitarist and Spanish
Dancer," 18x25 in.
Crayon drawing, "Abstraction,"
17 X 19 in.
SIGNAC, PAUL
Water-color, "Landscape with Bridge,"
11 X 16 in.
"Marseilles" (191 1), 1 13^ x 17 in.
TOULOUSE-LAUTREC, HENRI DE
Oil painting, "Femme Retroussant sa Chemise," 17x22 in. Water-color and pastel, "Woman Seated in a Garden," 12x19 in.
Pencil drawing, "The Music Lesson," 14x21 in.
VAN GOGH, VINCENT
Oil painting, "Self Portrait," 13 x 16 in.
VILLON, JACQUES
Oil painting, "Portrait of Mile. Y. D.,"
25 x5oin.
Portrait of Mr. J. B., Painter,"
35x51 in.
"Portrait of a Man," 23 x 19 in. (oval)
"Portrait of a Woman," 21 x 18 in.
(oval)
"Etude pour Jeune Femme," 19x24 in.
"Fillette au Piano," 51 X37 in.
"Etude pour Fillette au Piano,"
19^ x23^ in.
"Atelier de Mecanique," 36x28 in.
"The Acrobat," 29 x 39 in.
Water-color drawing, "Street
Musicians," 20 x 13 in.
"Girl," 5x8 in.
VLAMINCK, MAURICE DE Oil painting, "The Old Street," 32 X 23 in.
"The Port," 28x35 in. "Village Street," 28x23 in. Oil painting, "Still Life," 29 x 24 in. "The Bouquet," 23x29 in. "The Old Harbor of Marseilles," 28^ X 35 in.
"Le Mont Valerien," 39x31 in. "Le Pont de Chatou," 21 x 18 in. "TheTug," 28x23 in. "Still Life," 28x23 in.
ZAK, EUGENE
Oil painting, "En Ete" (1912), 31x23 in.
f'5]
ENGLISH & IRISH
CONSTABLE, JOHN
Wash drawing, "Hadley" (1798), 17 X 1 134 in.
COSWAY, RICHARD
Ink drawing, "Cupid and Psyche,"
J X loin.
"Winged Male Figure," 7^ x 19^ in.
COYPEL, NOEL
Pen and ink, "The Stag Hunt of Diana and Nymphs," 193^ x 1 1 j^^ in.
LANDSEER, SIR EDWIN HENRY
Water-color, "His Father's Sword," 1 1 xgin.
SARGENT, JOHN SINGER
Chalk drawing, "PortraitofW. B.Yeats"
STOTHARD, THOMAS
Water-color, "Scene from Macbeth," 10x7^ in.
BLAKE, WILLIAM Pen, pencil and wash drawings — from the Apocalypse. Pen drawing, "Illustration," 16 x 13 in. Bistre wash, "Satyr, Nymph and Cupid," 3Mx4>^in.
Pencil and ink drawing with bistre wash — Sketch for Pope's "Windsor Forest," 93/^x 12 in.
Charcoal bistre wash drawing, "Curtius," 17x113/2 in. Pen and ink drawing with grey wash, "Figure Studies," 7 x 7 in.
[16]
BOMBERG, DAVID
Oil painting on wood, "Meditation," 155^ X 123/ in.
Drawing, "Head of a Poet, 1913," 11 X 29 in.
CATTERMOLE, GEORGE
Water-color, "The Lay of the Last Minstrel," 6^ x9in. Pen and ink drawing, "Sketches of Knights in Armor"
CRAIG, GORDON
Pen and ink drawing, "Gray Welling,"
11 x8in.
Wash drawing, "An Old Theatre," 8x 1 1 in.
Crayon drawing, "Design for Stage Set," 14X 1 1 in.
CONDER, CHARLES
Pastel drawing, "Theodore dans la
Costume de Rosalinde," 7 x 10 in.
"La Toilette," lox 1334 in.
Oil painting, 1902, "La Belle Antonia,"
26x32^ in.
"A River Nymph," 28x36 in.
Water-color on silk, "Casino de Paris,"
12 x 16 in.
"Fantasie," 17x31 in. Water-color, 1906, "Prince Charming," 73^ xg'j/i in.
"Landscape with Figures," 8x11 in. Sanguine drawing, "The Guitar Player," i6x I2in.
Drawing, "Nude," 10 x 13 in. "Seated Woman," 93^ x 13 in. "Landscape — Lake-Garden," 10x13 in.
ENGLISH & IRISH
CURRIE, JOHN S.
Oil painting, "The Lament ot Aicell,"
35x28 in. (1912)
"The Week's Wages," 40 x 28 in.
DISMORR, J.
Oil painting, "Movement 3," 25x30 in.
DODD, FRANCIS
Drawing in charcoal, "Jacob Epstein"
10 x 12^> in.
ETCHELLS, FREDERICK
Oil painting, "Pigeon and Juggler,"
22^ x3oin.
Ink painting, "Hyde Park," 11x7^ in.
Water-color, "The Single Stick,"
lox 133^ in.
"Eccentric," 13x11 in.
"Stilts," 9 X 13 in.
Water-color, "Study of Heads,"
12 X 16^ in.
"Progression," 6x9 in.
Ink drawing, "English Comedian,"
7 X 1 1 ^ in.
Water-color and ink painting, "Postal
Telegraphs," 11x15 in.
GAUDIER-BREZESKA, HENRI Five Ink Drawings, "Abstract Studies of Birds"
Eight ink drawings, "Studies of Horses" Pen and ink drawing, "Tiger Scratching" Fifteen pen and ink drawings Six crayons Three wash drawings One water color
GARVEY, J. M.
Oil painting, "The Ferry," 9x113^ in. "The Alley," 9x 11 3/< in.
[17
GERTLER, MARK
Drawing, "Study for a Portrait (1911),
8j/ X loin.
"Study for a Portrait, 1912,"
7>4x8>^in.
GILLRAY, JAMES
Drawing, "English Rustic Dance," 16^ X 17 in.
GONNE, MAUD
Water-color, "Head of Girl," 10 X 12^ in.
GORE, SPENCER F.
Oil painting, "Frosty Morning,"
24 X 19 in.
"Mornington Crescent," 2ox 16 in.
"A Garden Square in Camden Town,"
24 X 19 in.
"Avenue," 24X 19 in.
HONE, NATHANIEL, R. N. A.
Oil painting, "Lough Swilly,"
55 X 35 in-
"Hastings," 41 x 27 in. "The Ferryboat," 35>4 x23>4 in. "Shore Malahide," 41 X27 in. "Glenmature," 41 X25 in. "Coast Bundran," 41 X25 in. "Coast Etretat," 41 X25 in. "Coast Bundran," 41 x 2 5' in. "Coast— Kilkee," 18x28 in. "Road near Maslotte," 25x21 in. "Landscape with Sheep," 18 x 13 in. "Shore Scene near Malahide," i8x 1 2 in. "Seascape," 18 x 12 in. "Rocks at Kilkee," 40 x 33 in. "Shore Malahide," 37x26 in. "Strayed Cattle," 37 x 30 in. "Coming Home," 25 x 38 in.
]
ENGLISH & IRISH
INNES, J. D.
Oil painting, "The Palm Tree" (1913),
29x22 in.
Oil painting on wood, "The Cactus"
1 2 X 9 in.
"The Rambler's Rest," 13x9 in.
"Palm Trees at Collioure (1911),"
18 X 15 in.
"Arenig," 45x34 in.
"Garn Lake," 50 x 30 in.
Water-color, "Springtime in Paradise,"
11 X I5in.
"Coast of Cerberre (1911)," 20 x 13 in.
"The Mountain (1911)," 15x10^ in.
JOHN, GWEN
Wash drawing, "Dulcie Maria, the
Patient Child," 10 x 13 in.
"Child Listening to a Bird," 10 x 13 in.
"Odette Shy"
"The Farm Girl"
"La Jeune Fille au Soleil"
"Marie"
"Odette"
"The Child in the Wind"
"Little Anabelle"
"Landscape," 11 x9^ in.
"In Church," 8x10 in.
"The Way to the Forest," 12x9^ in.
"The Pump," 6x9 in.
"Etude pour les Suppliantes," 8x9j/4 in.
"Woman's Head," 8x9^^ in.
"Night at Meudon," 6 x 9 in.
Oil painting, "Portrait of Woman,"
15 X 19 in.
"Portrait of Girl," 18x21 in.
"Study of a Woman," 18 x 14 in.
"Portrait of Woman with Cloak,"
29x20 in.
"Portrait of Young Girl," 22 x 18 in.
"Portrait of Nun," 15x18 in.
"Portrait of Woman," 15x19^ in.
"Nude Seated," 14 x 17 in.
"Woman with Hands Crossed,"
16 X 13 in.
"Portrait of Woman Seated,"
15x23^ in.
"Portrait of Mere Marie Poussepin,"
26x33 in.
"Girl Reading at the Window,"
10 X 16 in.
"Interior," 9% x 13 in.
"Study of a Woman," 15 x 24 in.
"Girl Seated at Table," 13 x 16 in.
Oil painting, "Study of a Girl in Blue
Frock," 13x17 in.
"Jeune Fille en Rose," 15 x 18 in.
"Woman Seated in Wicker Armchair,"
15X i8in.
Water-color, "Flowers," 8x8 in.
"La Cime," 10x9 in.
"Cat,"6>4x8^ in.
"Cat,"6>4x8>4 in.
Pastel, "Portrait of Woman with
Neckcloth," 12 x 15 in.
JOHN, AUGUSTUS E.
Oil painting, "Portrait of Arthur
Symons," 25 x 34 in.
"On the Way Down to the Sea,"
62>4 X jSy2 in.
"The Munpers," 18x8 feet
"Portrait of John Quinn," 39x48 in.
"Woman in Blue and Pink," 13 x 16 in.
"The White Kerchief," 12^ x 15^^ in.
"Boy Standing on the Cliff," 10 x 13 in.
"An Idyll," 15x18 in.
"Boy on Cliff Leaning on a Stick,"
lox i4in.
"Group of Boys Paddling," 24X 18 in.
"Girl with Three Children Standing,"
24 X 18 in.
[18
ENGLISH & IRISH
Painting on wood, "The Yellow Dress"
"Rhyd-y-fin (Woman and Child),"
17 X 14 in.
"Loving Companions," 13x18 in.
Drawing, "Portrait of John Quinn,"
Pastel, "The Street Riot," 20x24 in.
"The Olives by the Pond," Provencial
Study, 1910, 13x10 in.
Drawing, "Study of a Girl,"
ll^x 1454 in,
"Girl with Cap," 13 xg^^ in.
"Woman Reclining," 10x123/^ in.
"Woman Seated," 1 1 x 12 in.
"Standing Nude," 8>^ x 13 in.
"Study of a Draped Figure," 7 x 14 in.
"Study of a Woman," 8x14 in.
"A Draped Figure," 7 x 14^ in.
"Portrait of a Poet," 19^ x 16 in.
"Study of Head," 12 x 10 in.
"Seated Figure," 14^ x 11 in.
"Study of a Nude," 125/^ x 7>^ in.
Sanguine, "Portrait of a Girl,"
93^x131^ in.
"Nude Study," 9^^ x 13>4 in.
"Study of a Girl's Head," 9>4 x 11 in.
"Study of a Young Girl," 7x12^ in.
"Nude Study," 10x17^ in.
Pen and ink drawing design for a
decoration, lox 19% in.
"Design for a Painting," 12x93/2 in.
"Composition of Two Nudes,"
i6x 11 in.
"Nude Study," 16x12 in.
"W^oman with Two Children,"
10^ x83^ in.
"Portrait of a Woman," 934 ^9/4 in.
"Nude Study," 14^^ x 10 in.
"Seated Girl," 13x9 in.
"Reclining Nude Woman,"
103/2 X834 in.
"Studies of a Bov," 1 2 x 8 in.
Full length nude, 16x7]/^ in.
"Head of a Woman," 103^2 x93/4 in.
"Girl's Head," 113^x8 in.
"Seated Girl," 103^ X9% in.
"Seated Nude Girl," 15X 1 1>< in.
"Nude Study," 15x11 in.
"Galway Shawls," 173/2 x 12 in.
"An Arab Group," 173/^ x 12 in.
"Nude Study," 143^ x 103^ in.
"Nude Study," 20 x 123^ in.
"Rural Life," 173^x15^^ in.
"Girl Seated on Couch," 21 x 17 in.
"Nude Study," 18 X7>^ in.
"Study for a Panel Decoration,"
14x4 in.
"Study of a Panel Decoration,"
I5x5in.
"Nude Study," i8x6>4 in.
"Stooping Figure," 12x83^ in.
"Woman Gathering Sticks,"
1 13^ x9^ in.
"Woman's Head and Shoulders,"
13 X loin.
"Two Girls and a Boy," 123/^ x83/^ in.
Wash drawing, "Walpurgis Night
Study," 14X 11 in.
Sanguine, "Woman Standing," 14x9 in.
Ink drawing, "Study for a Bronze"
Ink drawing, "Village Drama,"
i8xi5>^in.
"Study for a Panel Decoration,"
15x43^ in.
"Study for a Panel Decoration,"
15x4^ in.
Wash drawing, "The Gypsy,"
173^ X 1 1 in.
LYTTON, HON. NEVILLE
Chalk drawing, "Portrait of Wilfred Scawen Blount, Esq., 9x12 in.
[19
ENGLISH & IRISH
LEES, DERWENT
Oil painting, "Olive Farm," i6x 12 in. "Evening," 20x 15 in. "Cheval Blanc," 13x9^ in. "Blue Hills," 15x13 in. "The Girl and the Pool," 13^^x9)^ in. "Lowering Clouds," 13^/2 iij^ in. "A Sullen Day," 17^4 x 13^^ in. "Reflections," 13^/2 x 10 in.
LEWIS, WYNDHAM Oil painting,
"PlanofWar," 56x100 in. "Kermesse," io8x 103 in. 8 pen drawings
42 water-color drawings — War subjects. Portfolio with 1 1 pen drawings Wash drawing, "Portrait Head"
MANSON, RUTH Oil painting, 1914, "Effet de Neige," 1 1^/2 x 14 in.
NELSON, GEOFFREY Oil painting on wood, "Study of a Head," 10^/2x13 in.
NEVINSON, C. M.
Oil painting, "A View of Bradford," 20 X 18 in.
"TheGasometers at Last Hour ( 1912)," 24 X 18 in.
ORPEN, WILLIAM
Drawing, "Nude Study," 1 1^/^ x8 in.
PISSARO, LUCIEN Oil painting, "A Footpath," 17x21 in. "Ivesham Road," 25x21 in. "Vue de Bazincourt," 21x17 in. "Winter"
ROBERTS, WILLIAM
Oil painting, "Jeu," 44x63 in. "Overbacks," 43 x 53 in. Drawing, "The Dancer," 20 x 20 in. Water-color,